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DTSTART;VALUE=DATE:20261204
DTEND;VALUE=DATE:20270228
DTSTAMP:20261106T210324
CREATED:20261029T175708Z
LAST-MODIFIED:20261030T135004Z
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SUMMARY:Fragments of Time | Exhibition
DESCRIPTION:Fragments of Time\n  \nSonia Hamza and Vito G. DelVecchio\nCurated by Dominique Denis\nDecember 4\, 2026 – February 27\, 2027\nFragments of Time brings together the work of Sonia Hamza and Vito G. DelVecchio in a dialogue exploring memory\, time\, and perception through photography and transformation. \nArtist Talk with Sonia Hamza December 10th 6pm
URL:https://artswarehouse.org/events/fragments-of-time-exhibition/
CATEGORIES:Exhibitions
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20261204
DTEND;VALUE=DATE:20270228
DTSTAMP:20261106T210324
CREATED:20261029T150029Z
LAST-MODIFIED:20261102T150056Z
UID:19396-1796342400-1803772799@artswarehouse.org
SUMMARY:A Dream of Elsewhere | Exhibition
DESCRIPTION:A Dream of Elsewhere; Notes on a Life Shaped by Illness\n\n\nDrawing on her experiences\, Dana Donaty confronts women’s health\, care\, and belonging through painting\, fiber sculpture\, and installation.\nOn View December 4th\, 2026 until February 27th\, 2027\n\n\nOpening Reception: Friday\, December 4th\, 2026\, 6-9pm RSVP HERE\nArtist Talk: Saturday\, January 16th\, 2027\, at 2pm [Dual Talk with Diane Arrieta] RSVP HERE\nCurated by Kelcie McQuaid \n\n\nA Dream of Elsewhere: Notes on a Life Shaped by Illness brings together painting and fiber sculptures alongside a waiting room installation to consider what it means to inhabit a body altered by illness and how that fractures one’s sense of belonging in the world. Drawing on her own experiences\, Donaty connects the personal to broader questions of women’s health and medicine\, care\, and healing. Behind a wall\, a waiting room installation recalls the hours Donaty spends in medical care\, introducing tension between the experience of being unwell and the studio’s creative life\, where illness is transmuted. Female figures\, lush landscapes\, medicinal plants\, and anatomical imagery intertwine\, bringing the natural world into conversation with the medical one. \n\nIllness follows her into the studio\, but there the balance of power shifts: no longer simply the subject of examination\, she becomes the one who observes\, interprets\, and creates. Across the exhibition\, making becomes a means of reclaiming authority over the body’s story—not by resolving its uncertainty\, but by giving form to experiences that clinical accounts cannot fully hold. \n  \nAbout the artist\nDana Donaty (b. 1966\, Columbus\, Ohio) is a Colombian-American artist based in South Florida. She holds a BFA from Moore College of Art & Design and an MFA from the School of Visual Arts. Her practice spans fiber\, painting\, sculpture\, and installation\, considering what it means to inhabit a body shaped by illness within the broader\ncontext of women’s health\, medicine\, and care. Donaty has received emergency grants from the Adolph and Esther Gottlieb Foundation\, the Robert Rauschenberg Foundation\, and CERF+; a Full Fellowship from the Vermont Studio Center; and has been awarded residencies at ChaNorth\, The Arts Warehouse\, Bakehouse Art Complex\, South Florida Ford\, and Kriti Gallery. Her work is held in the permanent collections of the Coral Springs Museum of Art\, the Satell Family Foundation\, Cricket Taplin\, Palm Beach County Art in Public Places\, Boynton Beach Art in Public Places\, and West Palm Beach Art in Public Places. Selected solo exhibitions include Moore College of Art & Design\, Coral Springs Museum of Art\, The Arts Warehouse\, Cornell Museum of Art\, and South Florida Ford. Selected group exhibitions include The Invisible Dog Art Center\, Pen + Brush\, Hera Gallery\, The Camp Gallery\, the Mexican Consulate\, Flatiron Gallery\, Wavelength Space\, the Cultural Council for Palm Beach County\, and Art and Culture Center Hollywood.
URL:https://artswarehouse.org/events/a-dream-of-elsewhere/
CATEGORIES:Exhibitions
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20261204
DTEND;VALUE=DATE:20270124
DTSTAMP:20261106T210324
CREATED:20261029T173939Z
LAST-MODIFIED:20261105T171154Z
UID:19412-1796342400-1800748799@artswarehouse.org
SUMMARY:Feathered Reliquaries | Exhibition
DESCRIPTION:Feathered Reliquaries\nSolo Exhibition by Diane Arrieta\nOpening Reception: Friday\, December 4th\, 2026\, 6-9pm RSVP HERE\nArtist Talk: Saturday\, January 16th\, 2027\, at 2pm RSVP HERE\n \nFeathered Reliquaries is a series of bird sculptures that function as small sculptural altars occupying the space between offering\, witness\, and warning. Drawing from the tradition of the religious reliquary\, these works treat the bird as a sacred container holding memory\, fragility\, and evidence. Across cultures\, birds have functioned as intermediaries—moving between earth and sky\, life and death\, the seen and the unseen. Here\, that symbolic lineage is pulled into the present moment. Birds also serve as indicator species\, bearing quiet testimony to ecological imbalance through declines we continue to overlook. These are not idealized figures\, but laboring bodies. Surfaces crack\, edges erode\, and each form holds the weight of environmental strain. The reliquary no longer safeguards the past; it holds what is vanishing in real time. Circular forms gather around them like halos\, suggesting sanctity while offering no protection. Suspended against the wall\, the birds hover in a state of tension\, caught between elevation and containment\, reverence and consequence. Feathered Reliquaries asks what it means to venerate a being while simultaneously contributing to its decline. The series asks us to reconsider what we choose to hold sacred. \n  \nAbout the artist | \nDiane Arrieta is an interdisciplinary artist whose practice bridges environmental science\, cultural memory\, and feminist materiality. Born in Clearfield\, Pennsylvania and raised in Oil City— former site of a Seneca Indian village and later\, the birthplace of the U.S. petroleum industry— her early life shaped a lasting awareness of the tension between ancestral land and industrial disruption. These layered histories continue to inform her work\, which explores the delicate relationships between nature\, resilience\, and transformation. Of Lenape ancestry (not an enrolled member of a federally recognized tribe) and Czechoslovakian agrarian European descent\, Arrieta draws from inherited perspectives on land stewardship and ecological interconnectedness. Her tactile installations often incorporate clay\, fiber\, and found materials\, merging traditional craft with contemporary sculptural forms. Arrieta holds a BFA in ceramic sculpture and an MSc in Wildlife Health from the University of Edinburgh. Her work examines the impact of human behavior on species decline and biodiversity loss\, while also advocating for the well-being of women and children—especially in the face of environmental crisis. Her work has been shown widely across the United States\, with recent solo and group exhibitions at Palm Beach State College\, the Cornell Museum\, NSU Art Museum Fort Lauderdale\, the Boca Raton Museum of Art\, the Museum of Fine Arts Tallahassee\, and the Art & Culture Center of Hollywood. She has received numerous accolades\, including the South Florida Cultural Consortium Fellowship [x2] \, the Hector Ubertalli Award for the Visual Arts and the Helen M Salzberg Visiting Artist Fellowship. She is the founding director of the International Humanities Project Curatorial Lab and has held leadership roles in academic exhibition programming and public art initiatives.
URL:https://artswarehouse.org/events/feathered-reliquaries-exhibition/
CATEGORIES:Exhibitions
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