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DTSTART;VALUE=DATE:20260102
DTEND;VALUE=DATE:20260301
DTSTAMP:20261115T164640
CREATED:20251125T220321Z
LAST-MODIFIED:20260327T190155Z
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SUMMARY:Exhibition | Khaulah Naima Nuruddin\, "This Is. The End."
DESCRIPTION:This Is. The End.\nKhaulah Naima Nuruddin\nCurated by Tayina Deravile\nOpening reception: January 2\, 2026\, 6 – 9 pm\nCurator and Artist Talk: January 24\, 2026\, 2 – 4 pm\nWorkshop: February 7\, 2026\, 2 – 4 pm\nThis Is. The End. is a solo exhibition that presents a vigorous survey of Khaulah Naima Nuruddin’s work for the last decade. Ranging from painting\, mixed-media works\, sculptures\, and installations\, Nuruddin reflects on the weight we carry in our emotional and spiritual lives and how care\, responsibility\, and community shape who we were\, who we are\, and who we are becoming. This exhibition questions the relevance of the body/physical form in this realm right now and challenges the notion of self and the life cycles we pass through. She highlights creation as an ongoing process: anything can be undone\, reimagined\, and made again. At the heart of this exhibition is an essential truth the artist has arrived at: ‘This is the end of the me\, that’s not me.’ \nKhaulah Naima Nuruddin Bio\nKhaulah Naima Nuruddin is a multimedia artist from Milwaukee\, Wisconsin\, who lives and works in South Florida. Nuruddin’s work explores the intersections of personal expression and social commentary by initiating public discussion of race\, sexuality and the social transfer inherent to her work as a Black\, lesbian artist. She is dedicated to exploring and presenting a myriad of conceptual and material approaches to address and rectify the wide range of injustice experienced by marginalized people. Nuruddin earned her BFA from The University of South Florida and her MFA from Florida Atlantic University. She serves as Curator and Exhibitions Manager for the Spady Cultural Heritage Museum.\nTayina Deravile Bio\nTayina Deravile is a cultural practitioner\, arts professional\, and independent curator. She holds a Bachelor of Science degree in Psychology from the University of Central Florida and a Master’s degree in Mental Health Counseling at Nova Southeastern University. While attending graduate school\, Tayina began her career in arts administration at the NSU Art Museum\, Fort Lauderdale. She is currently the Gallery Manager at Girls’ Club\, the only private collection in the world that primarily exhibits contemporary art by women.
URL:https://artswarehouse.org/events/thisistheend/
CATEGORIES:Past Exhibitions
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20250801
DTEND;VALUE=DATE:20250928
DTSTAMP:20261115T164640
CREATED:20250624T204713Z
LAST-MODIFIED:20251018T154416Z
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SUMMARY:Exhibition | I Look at the World
DESCRIPTION:East Gallery \n8/01/2025 – 9/27/2025 \nCurated by Tayina Deravile \n  \nI Look at the World is a photography exhibition featuring Joshua D. Buron\, Nastassia Dillon\, and Naja Hardmon. The show highlights the work of emerging Black photographers who capture Black lived experiences and fantasies. Through the visual dialogue of Buron\, Dillon\, and Hardmon\, each image serves as a witness\, offering accounts of Black life by way of the subject or as the artist at hand. \nThe title of the show is taken from a Langston Hughes poem. In the poem\, Hughes reflects on the barriers and walls of oppression he sees with black eyes and a dark face. With his realized power\, he invites his comrades to take the road to make a new reality. I Look at the World exhibition offers accounts of new realities and of self-expression\, inviting viewers to reflect on personal and collective perspectives. Through dynamic compositions\, these images reimagine beauty\, celebrate individuality\, and conjure spirit. \nAt a time when history is being rewritten\, erased\, or sanitized\, Black photography and photographs become radical acts because they preserve memories and account for story and truth-telling. I Look at the World insists on the visibility of Black stories and creativity by making steps toward the “road to find”.\nCurated by Tayina Deravile \n  \nFeatured Artists\n\nJoshua D. Buron is a Haitian American multidisciplinary artist specializing in photography\, poetry\, digital\, and traditional art. He is also the co-founder of Move Love Productions in 2018\, an art collective that curates quality experiences for the community. His 2020 photo book\, Good Jeans & Brown Suga\, inspired him to use denim as a medium for his art\, fashion shows\, and installations. Known for his evocative works\, Buron explores themes of the Black experience\, creativity\, and mental health. He is also celebrated for another innovative project\, Everything & Mo\, an illustrated comic that delves into the whimsical adventures of two characters\, combining art and narrative to inspire freedom of expression and provoke thought. Through his diverse media\, Buron aims to empower individuals to embrace their unique stories and potential. \nNastassia Dillon was born in Brooklyn\, New York and is currently based in South Florida. She studied at Florida Atlantic University and received her B.A. in multimedia\, her degree is focused on film\, photography\, and studio art. Dillon’s films have been exhibited in international film festivals including the Super 8 and Flamingo film festival. Dillon began her career in front of the camera as a model\, actress\, and dancer. She has appeared in multiple telenovelas on Univision\, Nickelodeon\, and music videos. These experiences fed her curiosity to work in photography\, film\, and television. Now her career is focused on directing\, designing\, and creating images that tell a story. Dillon’s influences range from Afro Caribbean culture\, Latin music\, nature\, and contemporary art. \nNaja Hardmon was born in Detroit\, MI. Her journey can be characterized by her movement through various cities throughout her childhood\, each move evolving her definition of home—found not just in places\, but in people. Through her camera\, Hardmon articulates this fluid notion of home by crafting visual narratives that reflect a sense of awe for individuals belonging within a community.\nHer photography\, which centers on Black portraiture\, seeks to honor and preserve the multifaceted dimensions of obtaining confidence amongst Black life. Each frame is a testament to her belief that the ordinary is inherently extraordinary when viewed through the lens of purpose\, heritage and identity.\nHer work is a celebration of Black identity\, infusing everyday moments with a sense of grandeur and significance. Currently\, Hardmon channels her passion for art and her commitment to community as a curator in Delray Beach\, Florida. Her curatorial work is an extension of her artistic vision\, fostering a vibrant arts community where new talents can thrive and contribute to the ongoing narrative of celebrating cultural expression. \nAbout Tayina Deravile\nTayina Deravile is a cultural practitioner\, arts professional\, and curator. She holds a Bachelor of\nScience degree in Psychology from the University of Central Florida and a Master’s degree in\nMental Health Counseling at Nova Southeastern University. While attending graduate school\,\nshe began her career in arts administration in Fort Lauderdale. She is currently the Gallery\nManager at Girls’ Club\, the only private collection in the world that primarily exhibits\ncontemporary art by women\, and the Director of Community Engagement at FATVillage Arts\nDistrict\, a nonprofit that strives to generate an inclusive art community located in the FATVillage\nArts District.
URL:https://artswarehouse.org/events/ilookattheworld/
CATEGORIES:Past Exhibitions
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20250606
DTEND;VALUE=DATE:20250720
DTSTAMP:20261115T164640
CREATED:20250604T212904Z
LAST-MODIFIED:20251015T175115Z
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SUMMARY:Exhibition: Unveiled Thoughts
DESCRIPTION:Arts Warehouse is pleased to present Unveiled Thoughts\, a group of paintings by Ashlee Breyan.\nOn view in the East Gallery June 6th – July 19th\, 2025 \nArtist Statement: \nAs a visual artist working within the realm of Afro-surrealism\, I explore the Black experience\, examining the psychological depths of the unconscious mind while intertwining with the tangible aspects of reality. Through abstract forms\, vibrant colors\, and dynamic body language\, I challenge conventional narratives\, weaving stories that resonate across both historical and contemporary contexts. In my series\, I delve into the complexities of Black culture\, examining themes such as mental health\, political rights\, and social inequality. My work is an ongoing journey\, a tribute to the rich\, multifaceted nature of our existence\, inviting viewers to engage with the diverse stories that shape our identities. \nArtist Biography: \nArtist Ashlee Breyan\, a native of suburban Cleveland\, Ohio\, discovered her creative spark early\, inspired by a rich tapestry of musical genres\, American history\, and Black culture. These influences have profoundly shaped her artistic vision\, grounding her work in themes of identity\, heritage\, and storytelling. Her artistic journey began at just thirteen\, exploring a variety of mediums before finding her voice in oil painting\, drawing\, and graphic design. Through advanced studies and years of practice\, Ashlee honed her craft\, ultimately concentrating on Afro-Surrealism. Deeply immersed in the arts community\, Ashlee’s work centers on the complexities of the Black experience\, using her art to foster connection and healing. Her mission is to create evocative pieces that inspire reflection and offer a sense of collective therapeutic release\, inviting viewers to engage with her murals and paintings on a deeply personal level. \nLearn more at ashleebreyan.com
URL:https://artswarehouse.org/events/unveiledthoughts/
CATEGORIES:Past Exhibitions
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20250502
DTEND;VALUE=DATE:20250601
DTSTAMP:20261115T164640
CREATED:20250417T144303Z
LAST-MODIFIED:20251017T221036Z
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SUMMARY:Exhibition: The Mind and Making
DESCRIPTION:Alongside Mental Health Awareness Month (May)\, Arts Warehouse presents: \nThe Mind and Making\nA Creative Hand’s Reflection of a Changing Mind\nMay 5th – May 31st\, 2025 \n\n\n\nJeanette Vogel: The Bloom Late \n\n\n\n\n\n\nArtist Jeanette Vogel was\, by any definition\, a late bloomer. Other than a few earlier paintings\, she began her artistic practice in June 2023—at the age of 97. Working from her home in Boca Raton and under the gentle guidance of Delray Beach artist and educator Neal Hanowitz\, Jeanette painted and drew prolifically in acrylic\, watercolor\, and marker. At the height of her creative period\, she welcomed Neal for informal lessons two to three times a week. \nIn less than two years\, until her death in 2025 at age 99 from complications of Alzheimer’s disease\, Vogel produced over 400 works on paper. \nThis exhibition offers a generous survey of her brief but profound artistic journey. Her early pieces\, more representational in nature\, show a keen sense of form: birthday cakes\, bowls of fruit\, flower-filled vases\, and O’Keeffe-like studies of blossoms. As her illness progressed\, so did her style—transforming into expressive abstractions marked by spirals\, lines resembling spiderwebs and fingerprints\, and curlicues swirling atop vibrant blocks of color. \n\n\n\n\n\n\nJeanette’s work reveals the ongoing dialogue between her creative instinct and the shifting terrain of her memory. Her radiant palette and evolving forms stand as a testament to the therapeutic power of art—and to the human spirit’s unwavering desire to create\, no matter the age or circumstance. \n\n\n\n  \n 
URL:https://artswarehouse.org/events/exhibitionmind/
CATEGORIES:Past Exhibitions
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20241101
DTEND;VALUE=DATE:20250115
DTSTAMP:20261115T164640
CREATED:20241207T165922Z
LAST-MODIFIED:20250207T192943Z
UID:15448-1730419200-1736899199@artswarehouse.org
SUMMARY:Satellite Exhibition "Annexed"
DESCRIPTION:Annexed\nA satellite exhibition featuring the Arts Warehouse Resident Artists\nLocated at:\nOld School Square Creative Arts School\n51 N Swinton Ave\nDelray Beach\, FL 33444 \nAnnexed brings the energy of the artist studio to the Creative Art School\, with 11 current Resident Artists and recent Resident Artist Alumni of Arts Warehouse showcasing together. \nThe artists use different mediums and themes in their individual studio practice. With proximity to each other’s working space\, conversations are had encouraging each other in a collaborative spirit. This air of community can be felt in the way that the diverse selection of work flows well between each artist in the exhibition\, especially visible in the gallery wall – acting as an opening paragraph of the artistic story being told. The artist’s selections for Annexed is a cross section of the strong work being created by this group of local artists in Delray Beach. \nExhibiting Resident Artists\n\nJocelyn Chemel – Studio 1 \nBonnie Levinson – Alumni \nMarianela Perez – Studio 14 \nRenee Phillips – Alumni \nAngela Bulich – Studio 3 \nDominique Denis – Studio 2 \nRenée Rey – Studio 10A \nLandis Carey – Studio 5 \nSarah E. Huang – Studio 10B \nMa Nong – Studio 4 \nKelley Ryan – Studio 8
URL:https://artswarehouse.org/events/annexed/
CATEGORIES:Past Exhibitions
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DTSTART;VALUE=DATE:20240213
DTEND;VALUE=DATE:20250201
DTSTAMP:20261115T164640
CREATED:20241015T220721Z
LAST-MODIFIED:20250308T170307Z
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SUMMARY:Multiple Visions Exhibition
DESCRIPTION:Multiple Visions\nA satellite exhibition featuring the Arts Warehouse Resident Artists\n\nLocated at:\nBoca Raton Innovation Campus (BRiC)\n5000 T-Rex Ave\nBoca Raton\, FL 33431\nMarcel Brewer’s powered by Carmela Coffee Bar\nPart of Art on BRiC Walls \nOfficial Press Release \n\nMultiple Visions gathers 12 resident artists from Arts Warehouse in Delray Beach for exhibition at the Boca Raton Innovation Campus (BRIC). The exhibition invites viewers at BRIC to explore the artists’ distinct viewpoints and disciplines. They are united in their desire to share their stories\, dreams\, imagination\, and passions through their chosen artistic medium varying from clay\, mixed media\, textiles\, photography\, and paint.  \nThe competitive Resident Artist Program at Arts Warehouse is made up of 15 private artist studios\, supporting artists as small businesses. The studios offer the resident artists the opportunity to interact on a daily basis and develop their individual expression through their practice while working\, learning and sharing with one another as a collective. One of the joys of working on their individual artistic visions at the Arts Warehouse is the access to the public through studio visits\, First Fridays and special programs. The exhibition at the BRIC is an opportunity for an expanded public to experience this unique group of Resident Artists in a new setting and encourage further conversation in each artists’ personal studios back at the Arts Warehouse. \nMultiple Visions celebrates each artist’s unique perspectives\, extending their reach beyond their studio spaces\, into the vibrant South Florida arts community. The high quality of work exhibited is a testament to the level of the resident artists at Arts Warehouse. On the heels of a successful Resident Artist exhibition at Arts Warehouse in late 2023\, the artists are expanding their community and audience through an exhibition at the BRIC. “ We welcome expanding community participation at the Arts Warehouse through studio visits\, viewing our changing exhibitions\, workshops and personal art consulting. We have lots of experience helping people find that perfect work of art to enhance their home and their life. “ says Bonnie Levinson\, Resident artist and curator of the exhibition at the BRIC \n“Being a part of Arts Warehouse has been a transformative experience. It has given me a space to collaborate and grow amongst a diverse group of artists where we are fostering a creative community that I’m grateful for.” says Sarah E. Huang\, Resident Artist in her third year at Arts Warehouse. \n“I’m excited to show alongside incredible artists that I get to watch create every day. Being in the Arts Warehouse has been so wonderful! I have met so many friends that I have been able to collaborate and grow with\, and it’s important to share about the unique environment that is the Arts Warehouse studios” shared Resident Artist\, Amanda Perna. \nThe exhibition will open with a reception on Tuesday February\, 13th 2024\, 6-8pm. Throughout the run of the exhibition there will be supplemental in-person public programming inspired by the exhibition at BRIC. Programs may include guest presenters on such topics as the role of experimentation and collaboration in making art\, the power of creativity in transforming our lives\, the role of an arts residency for the development of your art practice. Virtual programming such as artist talk videos will be released on Arts Warehouse’s social media platforms. Exact dates of in-person programs will be announced.  \nPlease feel free to contact the curator of the Multiple Visions exhibition Bonnie Levinson  bonnielevinson@gmail.com or @bonnielevinsonarts for more information. \n  \nBRIC Exhibiting Resident Artists\nAmanda Perna – original imaginative clothing designer \nAndrea Facusse – A multimedia artist crafting pieces that emerge from the intricate interplay between humans and their surroundings\, exploring how this dynamic shapes emotional and environmental awareness.  \nBonnie Levinson – Multi-disciplinary artist who channels creativity across mediums—painting\, collage\, mixed media and multi-image photography\, investigating a balance between control and accident. \nEdward Stinson III – illustrator of story\, concepts and comic books \nDominique Denis – Multi-disciplinary artist and designer working at the intersection of art and architecture. Her work is conceptualized around themes of identity\, transformation and belonging. \nJocelyn Chemel – Mark making\, mixed media artist whose expression is influenced by current events\, namely displacement\, immigration and climate change \nKaren H. Salup – intuitive mixed media\, abstract painter whose art is a colorful web where solid shape and varied lines interact in a atmospheric illusion. \nKass O’Brien – inspired by the natural world and tries to transfer these moments into each hand thrown and appliqued ceramic piece. \nLandis Carey – Ceramicist utilizing the unique textural and color qualities achieved by glaze application\, the artist intends for viewers to experience her installations on a visceral level at every vantage point \nMarianela Perez – Venezuelan artist known for her skills in different media and discovering the fragmentation of space\, shape and color. \nMa Nong – Korean and Taiwanese artist working in oil painting and mixed media exploring the signifiers of human nature. \nSarah E. Huang – Taiwanese American multidisciplinary artist exploring themes of cultural identity\, dreams\, and memories through surrealist paintings\, drawings\, and installations
URL:https://artswarehouse.org/events/multiple-visions-exhibition/
CATEGORIES:Past Exhibitions
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20230901
DTEND;VALUE=DATE:20231029
DTSTAMP:20261115T164640
CREATED:20230824T203953Z
LAST-MODIFIED:20241022T142421Z
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SUMMARY:"Absent Referent" Exhibition
DESCRIPTION:Absent Referent\nAutumn Kioti  &  Kim Rae Taylor\nOn View in the East Gallery\nSeptember 1 – October 28\, 2023\n  \nThe work of Autumn Kioti and Kim Rae Taylor come together for this exhibition as both artists repurpose books\, deconstructing and reconstructing the pages into metaphorical\, wall-mounted pieces. \nEach artist explores subject matter through the theme of absence. Taylor examines art history’s past and the exclusion of women from the canon. Kioti offers a cautionary glimpse of the future\, as environmental deregulation continues while billions of birds disappear from our planet. The domination of women and the environment is symbolized through the work of each artist and their use of discarded books that are repurposed\, deconstructed and reimagined to become something symbolic. The books broadly speak to the current political climate in Florida as the state has become synonymous with censorship and book banning by right-wing lawmakers and school boards. Speaking through the repurposing of books is a physical link for the artists’ work to converge. Conceptually\, both artists work to dismantle the “Great Chain of Being” in a unique dialogue of differing yet convergent subject matter. Taylor examines the domination of the Western art world\, exploring the ways women have been excised from the mainstream\, while Kioti focuses on the urge to dominate the natural world\, traditionally seen as feminine\, finding the underlying societal fibers that lead from one to the other. \nKioti’s Flight Patterns [iv iteration] is an installation of altered books and dismembered\, sliced\, distressed\, soaked Audubon prints and other texts (dimensions expand or contract to fit space) primarily mounted on plexi-glass and hung as if suspended.  Each bird has been excised from print and book page\, leaving bird-shaped absences created from shadow and light on the wall behind. \nTaylor’s Meditation\, a wall-length installation\, is constructed from tattered and outdated art history and art instruction books. Pages are removed from the bindings and assembled into a patchwork\, much like a quilt\, with text and images serving as backdrop for drawing\, painting\, and collage media. Smaller\, singular pages are isolated and modified to satellite within the space\, some presented in repurposed frames. \n  \n  \nArtist Information \nKim Rae Taylor is a visual artist and teacher who draws from the canon of Western art history using outdated art books to interrogate the ways in which women have been situated as both artist and subject. In addition to this project\, Taylor’s mixed media practice explores a variety of themes that look to nature\, language\, and gender. More of her work can be found in studio #4 at Arts Warehouse\, where she often leads community workshops. Taylor and Autumn Kioti recently launched Florida Art Resistance. \nFor more info: www.kimraetaylor.com www.floridaartresistance.org \n  \n  \nAutumn Kioti \nArt and nature are humanity’s common language\, and my primary instrument as an interdisciplinary artist and Master Naturalist..  I use this common language to tell stories\, whether through narrative\, movement\, installation\, poetry….Within my current practice\, I confront issues such as climate change\, the Anthropocene urge to conquer the environment\, food justice\, identity\, the intersection of access to wild space/mental health\, finding the correlation of each to the other impossible to ignore . \n​In confronting these issues over the last decades in South Florida\, New York City\, and  beyond\, my chosen media has been fluid and responsive to the environmental conditions in which I work. My diverse materials include garbage\, video and sound\, poetry\, fiber arts\, cooking and food\, plant and animal companions\, and more traditional two- and three-dimensional work. I select my medium based on how the public can be best engaged in a site-specific piece: whether through installation\, or performance\, or workshops. \nTackling environmental and societal issues necessitates an acknowledgement that we are truly interdependent\, participating in the story of our natural and built environments together\, as a community and as a society. I frequently collaborate with organizations\, individual scientists\, and activists: NYC Audubon\, Audubon Everglades\, Rohi’s Readery\, EcoAmerica\, the American Littoral Society\, the Wild Bird Fund\, firefly expert Dr. Sara Lewis\, landscape ecologist Eric Sanderson\, and more. I have offered presentations on art-based approaches to environmental justice and climate change as an ecoAmerica Climate for Health ambassador\, and conduct workshops at Rohi’s Readery\, a social justice-driven children’s bookstore. Much of this work is offered on a volunteer basis at established institutional spaces\, and the majority is entirely grassroots\, self-funded\, and engages a broad and diverse public of all ages and backgrounds. \n​My visual and performance work has been shown in New York City at The Queens Museum\, The Last Frontier\, the Mothership\, the Robert Miller Gallery\, Denise Bibro Fine Arts\, Art in Flux Harlem\, Dixon Place and more.  I have also been shown or appeared in LA\, Johannesburg\, Paris\, Hong Kong\, Sydney\, Melbourne\, Japan\, New Jersey\, Poughkeepsie\, and New Mexico.  In Florida\, my work has appeared at the Cultural Council for Palm Beach County\, Studio 18\, Arts Warehouse\, GallerRE (Resource Depot) and more.  I have been in residence with the NYC Audubon\, the Santa Fe Art Institute\, and more\, and most recently received a commission to create an installation and performance for the city of West Palm Beach through the ArtLife committee in partnership with the Mandel Library. \nIn choosing to create moments that are site specific\, re-purposing mundane scavenged objects\, using urgent movement and instinctive brushstrokes\, I seek to create a tether from myself to others\, a dialogue about our place\, about what immobilizes us\, tangles us up\, throws us forward\, breaks us down; a recognition that we are both less and more important that we imagine\, and that we’re all writing this story together. \nAutumn’s Website \n 
URL:https://artswarehouse.org/events/absentreferent/
CATEGORIES:Past Exhibitions
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