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X-WR-CALDESC:Events for Arts Warehouse
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20261204
DTEND;VALUE=DATE:20270228
DTSTAMP:20261110T162756
CREATED:20261029T175708Z
LAST-MODIFIED:20261110T162750Z
UID:19417-1796342400-1803772799@artswarehouse.org
SUMMARY:Fragments of Time | Exhibition
DESCRIPTION:Fragments of Time\nSonia Hamza and Vito G. DelVecchio\nCurated by Dominique Denis\nDecember 4\, 2026 – February 27\, 2027\nArtist & Curator Talk December 9th at 6pm RSVP\nFragments of Time brings together the work of Sonia Hamza and Vito G. DelVecchio in a dialogue exploring memory\, time\, and perception through photography and transformation. \n 
URL:https://artswarehouse.org/events/fragments-of-time-exhibition/
LOCATION:FL
CATEGORIES:Exhibitions
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20261204
DTEND;VALUE=DATE:20270228
DTSTAMP:20261110T162756
CREATED:20261029T150029Z
LAST-MODIFIED:20261102T150056Z
UID:19396-1796342400-1803772799@artswarehouse.org
SUMMARY:A Dream of Elsewhere | Exhibition
DESCRIPTION:A Dream of Elsewhere; Notes on a Life Shaped by Illness\n\n\nDrawing on her experiences\, Dana Donaty confronts women’s health\, care\, and belonging through painting\, fiber sculpture\, and installation.\nOn View December 4th\, 2026 until February 27th\, 2027\n\n\nOpening Reception: Friday\, December 4th\, 2026\, 6-9pm RSVP HERE\nArtist Talk: Saturday\, January 16th\, 2027\, at 2pm [Dual Talk with Diane Arrieta] RSVP HERE\nCurated by Kelcie McQuaid \n\n\nA Dream of Elsewhere: Notes on a Life Shaped by Illness brings together painting and fiber sculptures alongside a waiting room installation to consider what it means to inhabit a body altered by illness and how that fractures one’s sense of belonging in the world. Drawing on her own experiences\, Donaty connects the personal to broader questions of women’s health and medicine\, care\, and healing. Behind a wall\, a waiting room installation recalls the hours Donaty spends in medical care\, introducing tension between the experience of being unwell and the studio’s creative life\, where illness is transmuted. Female figures\, lush landscapes\, medicinal plants\, and anatomical imagery intertwine\, bringing the natural world into conversation with the medical one. \n\nIllness follows her into the studio\, but there the balance of power shifts: no longer simply the subject of examination\, she becomes the one who observes\, interprets\, and creates. Across the exhibition\, making becomes a means of reclaiming authority over the body’s story—not by resolving its uncertainty\, but by giving form to experiences that clinical accounts cannot fully hold. \n  \nAbout the artist\nDana Donaty (b. 1966\, Columbus\, Ohio) is a Colombian-American artist based in South Florida. She holds a BFA from Moore College of Art & Design and an MFA from the School of Visual Arts. Her practice spans fiber\, painting\, sculpture\, and installation\, considering what it means to inhabit a body shaped by illness within the broader\ncontext of women’s health\, medicine\, and care. Donaty has received emergency grants from the Adolph and Esther Gottlieb Foundation\, the Robert Rauschenberg Foundation\, and CERF+; a Full Fellowship from the Vermont Studio Center; and has been awarded residencies at ChaNorth\, The Arts Warehouse\, Bakehouse Art Complex\, South Florida Ford\, and Kriti Gallery. Her work is held in the permanent collections of the Coral Springs Museum of Art\, the Satell Family Foundation\, Cricket Taplin\, Palm Beach County Art in Public Places\, Boynton Beach Art in Public Places\, and West Palm Beach Art in Public Places. Selected solo exhibitions include Moore College of Art & Design\, Coral Springs Museum of Art\, The Arts Warehouse\, Cornell Museum of Art\, and South Florida Ford. Selected group exhibitions include The Invisible Dog Art Center\, Pen + Brush\, Hera Gallery\, The Camp Gallery\, the Mexican Consulate\, Flatiron Gallery\, Wavelength Space\, the Cultural Council for Palm Beach County\, and Art and Culture Center Hollywood.
URL:https://artswarehouse.org/events/a-dream-of-elsewhere/
LOCATION:FL
CATEGORIES:Exhibitions
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20261204
DTEND;VALUE=DATE:20270124
DTSTAMP:20261110T162756
CREATED:20261029T173939Z
LAST-MODIFIED:20261105T171154Z
UID:19412-1796342400-1800748799@artswarehouse.org
SUMMARY:Feathered Reliquaries | Exhibition
DESCRIPTION:Feathered Reliquaries\nSolo Exhibition by Diane Arrieta\nOpening Reception: Friday\, December 4th\, 2026\, 6-9pm RSVP HERE\nArtist Talk: Saturday\, January 16th\, 2027\, at 2pm RSVP HERE\n \nFeathered Reliquaries is a series of bird sculptures that function as small sculptural altars occupying the space between offering\, witness\, and warning. Drawing from the tradition of the religious reliquary\, these works treat the bird as a sacred container holding memory\, fragility\, and evidence. Across cultures\, birds have functioned as intermediaries—moving between earth and sky\, life and death\, the seen and the unseen. Here\, that symbolic lineage is pulled into the present moment. Birds also serve as indicator species\, bearing quiet testimony to ecological imbalance through declines we continue to overlook. These are not idealized figures\, but laboring bodies. Surfaces crack\, edges erode\, and each form holds the weight of environmental strain. The reliquary no longer safeguards the past; it holds what is vanishing in real time. Circular forms gather around them like halos\, suggesting sanctity while offering no protection. Suspended against the wall\, the birds hover in a state of tension\, caught between elevation and containment\, reverence and consequence. Feathered Reliquaries asks what it means to venerate a being while simultaneously contributing to its decline. The series asks us to reconsider what we choose to hold sacred. \n  \nAbout the artist | \nDiane Arrieta is an interdisciplinary artist whose practice bridges environmental science\, cultural memory\, and feminist materiality. Born in Clearfield\, Pennsylvania and raised in Oil City— former site of a Seneca Indian village and later\, the birthplace of the U.S. petroleum industry— her early life shaped a lasting awareness of the tension between ancestral land and industrial disruption. These layered histories continue to inform her work\, which explores the delicate relationships between nature\, resilience\, and transformation. Of Lenape ancestry (not an enrolled member of a federally recognized tribe) and Czechoslovakian agrarian European descent\, Arrieta draws from inherited perspectives on land stewardship and ecological interconnectedness. Her tactile installations often incorporate clay\, fiber\, and found materials\, merging traditional craft with contemporary sculptural forms. Arrieta holds a BFA in ceramic sculpture and an MSc in Wildlife Health from the University of Edinburgh. Her work examines the impact of human behavior on species decline and biodiversity loss\, while also advocating for the well-being of women and children—especially in the face of environmental crisis. Her work has been shown widely across the United States\, with recent solo and group exhibitions at Palm Beach State College\, the Cornell Museum\, NSU Art Museum Fort Lauderdale\, the Boca Raton Museum of Art\, the Museum of Fine Arts Tallahassee\, and the Art & Culture Center of Hollywood. She has received numerous accolades\, including the South Florida Cultural Consortium Fellowship [x2] \, the Hector Ubertalli Award for the Visual Arts and the Helen M Salzberg Visiting Artist Fellowship. She is the founding director of the International Humanities Project Curatorial Lab and has held leadership roles in academic exhibition programming and public art initiatives.
URL:https://artswarehouse.org/events/feathered-reliquaries-exhibition/
LOCATION:FL
CATEGORIES:Exhibitions
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BEGIN:VEVENT
DTSTART;TZID=UTC:20261216T103000
DTEND;TZID=UTC:20261216T150000
DTSTAMP:20261110T162756
CREATED:20261106T173932Z
LAST-MODIFIED:20261106T173932Z
UID:19503-1797417000-1797433200@artswarehouse.org
SUMMARY:SCULPTURAL PAINTING: Texture\, Light\, and Dimension 2-Day
DESCRIPTION:REGISTER HERE\nWednesday\, December 16 & Thursday\, December 17\n10:30am – 3pm | No makeup dates \nDiscover the exciting possibilities of sculptural painting in this hands-on\, two-day workshop where paint meets relief and simple geometric forms become striking works of art. \nWorking with modeling paste\, palette knives\, masking tape\, and texturing tools\, you’ll experiment with raised lines\, bold shapes\, and dimensional surfaces to create a contemporary relief painting with depth\, rhythm\, and visual impact on an 18” x 24” wood panel. \nExplore how texture catches the light\, how shadows transform a surface\, and how subtle tonal shifts bring geometric compositions to life. Through playful experimentation and guided instruction\, you’ll learn to build dimension\, balance positive and negative space\, and turn a flat surface into a richly tactile artwork with the sophistication of neutral color. \nNo two surfaces are alike. Let texture lead the way and discover the beauty of texture\, the quiet drama of neutrals\, and the art of creating dimension through light and shadow. \n🎨 All levels welcome. \n🖌️ All supplies included. \n🥪 Bring a lunch for fuel. \n🌸 Bring a smock and vinyl gloves-and be ready to create with a magic up your sleeve! \nInstructor Information: \nRenée Rey is a New York artist who has called Delray Beach\, Florida home for the past four years. With more than 10 years of experience teaching art\, she brings a broad range of experience—and a passion for experimentation—to the classroom. \nRey has taught classical\, Impressionist\, and abstract drawing; live figure drawing; portraiture; acrylic and oil painting; mixed media; and collage. Her approach combines strong foundational skills with experimentation\, encouraging students to develop their own visual language while discovering new ways to see and make. \nHer background is equally interdisciplinary. Rey studied Interior Architecture and Drawing & Painting at Parsons School of Design\, and continued her studies in drawing\, painting\, and art history at SUNY Albany and Palm Beach State College. She holds an MBA from Rensselaer Polytechnic Institute and an MA in Education from the Jewish Theological Seminary in New York. \nA practicing artist for more than 30 years\, Rey brings the perspective of a working artist into every class. Her goal is simple: to give students the skills\, confidence\, and freedom to make their own work—and have a good time doing it. \n 
URL:https://artswarehouse.org/events/sculptural-painting-texture-light-and-dimension-2-day/
LOCATION:FL
CATEGORIES:Classes/Workshops
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BEGIN:VEVENT
DTSTART;TZID=UTC:20261216T140000
DTEND;TZID=UTC:20261216T160000
DTSTAMP:20261110T162756
CREATED:20261106T174310Z
LAST-MODIFIED:20261106T174310Z
UID:19506-1797429600-1797436800@artswarehouse.org
SUMMARY:Alcohol Ink Floral Bouquets on Large Cardstock
DESCRIPTION:REGISTER HERE\nAlcohol Ink Floral Bouquets on Large Cardstock\nJoin us for an exciting alcohol ink workshop and discover the beauty of this fascinating vivid fluid art. These inks have the unique ability to dry rapidly and repeatedly revitalize while maintaining their vibrant color. \nIn this workshop students will learn basic and advanced techniques to manipulate and paint with this medium. Following a practice piece\, students will create their one-of-a kind floral bouquet on an 8 x 10 or larger cardstock. Demonstrations and individual attention will be provided by the artist to create a variety of flowers\, stems and leaves. All levels welcome and supplies provided. \nWhat is Alcohol Ink? \nAlcohol ink is a fluid art. The inks are dye-based and extremely vibrant due to heavy pigmentation. The inks glide freely on non-porous surfaces and are easily manipulated with various techniques such as blowing\, stamping or brushing. Another unique quality of alcohol ink is that the dried ink can be “revived” when coming into contact with fresh ink or blending solution\, allowing for further process of the design. Alcohol ink is a fun and unique medium\, allowing for creative freedom. \nAbout the teaching artist: \nDebra L. Snyder\, Fine Artist/Potter/Instructor \nI began my formal art education at Parsons School of Art & Design in New York and years later studied acrylic and watercolor painting with renowned artists at the Woodstock School of Art. My favorite theme for landscapes and seascapes was inspired while living at the Jersey Shore\, the Catskill Mountains and the coastal areas of New England. My first encounter with alcohol ink occurred ten years ago while traveling in Arizona. I was immediately intrigued by this fluid art\, the brilliance of the pigment and its versatility. Unlike acrylic or watercolor painting\, alcohol ink allows for a freedom of expression which I find unique and challenging. I have been practicing as an alcohol ink artist since then and continue to discover new techniques and applications with this exciting medium. \nClay art has also been one of my passions and has kept me captivated for twenty years now. I am continually improving and exploring throwing techniques and I find the rewards of throwing clay immeasurable. \nwww.artpartyexpress.com for more information. \n 
URL:https://artswarehouse.org/events/alcohol-ink-floral-bouquets-on-large-cardstock-3/
LOCATION:FL
CATEGORIES:Classes/Workshops
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